Welcome to Dames of Dialogue, Ben. Tell us about your latest book.

Shadow Dance Murders: Detective Carson Chandler draws the short straw — the assignment to untangle a series of murders at the Antebellum Community Theater, in Charlotte, NC. As he pulls back the curtain the spotlight reveals the unglamorous inner workings and politics of the Theater. The large pool of suspects includes: actors, directors, staff, Board members, and shady real estate developers that are willing to do whatever to grab the choice Theater property.

As Chandler works to solve the case, his life is increasingly complicated by two intriguing, yet polar-opposite women. Ben Furman_Book Cover_ (2)One is a successful Broadway actress he’s loved since childhood, or at least that is what he believes. But this belief is challenged by an incident that occurs in the scorching sands of Pakistan. He saves a mysterious female Mossad agent, who is seriously wounded in a terrorist ambush. He cares for her wound, and immediately her comrades whisk her away to a secret location. He’s left with only her first name. His military tour is cut short by a sniper’s bullet. He returns home following months of rehabilitation and struggles daily with the physical and mental effects of battle. He tries, but can’t erase the striking Israeli woman from his mind, and then when he least expects it, she reaches out.

The Shadow Dance Murders has a unique “hook” that to the best of my knowledge has not been encountered before by homicide detectives. There is a secondary hook at the ending that establishes the groundwork for a sequel.

Can you share a little bit about what you’re working on now or what’s coming next?

Several key characters move forward with Chandler in much broader international thriller.

General O’Malley, Chandler’s control, says, “Your wealth gives you unique credentials that allow you to infiltrate the world of power brokers that make kings and bring down governments. These days, friends turn foes faster than a short order cook flips pancakes. As an insider you can sniff out problem areas and identify hostile alliances that can’t be done by electronic means or satellites.

“If a corporation has changing attitudes that are favorable to our enemies, especially the Russians and Chinese, we have to know. We’ve ear-marked large US companies that are doing business with terrorist organizations, supplying them with embargoed goods, and laundering their blood-soaked money. Identify the key players, and then……”

What is a typical writing day like for you?

I write early, around six a.m., which includes the entire process of researching, editing, and head-scratching about the dumb stuff I wrote the day before that I thought was so brilliant. I close shop before noon or earlier if my brain goes numb. But, not being at the keyboard doesn’t mean I’m not thinking about the twists-and-turns of the story, so at six the next day I’m at it again.

When you’re writing, who’s in control, you or the characters?

Most often I’m in control, but I do listen to the characters. If they show me something I think will add to the story, okay, if not I tell them to get back in line.

Who are your favorite authors, the ones you read when you should be doing something else? Why do they appeal to you?

Elmore Leonard: He wrote small, tight stories that ordinary people could understand, and chose to stay away from world-ending, apocalyptic, international thrillers. He was malleable, and successfully moved from writing westerns in his early years, such as 3:10 to Yuma, to a crime writer that had his work adapted to movies and television series, like Justified.

David Baldacci: The years he spend practicing law in Washington, DC gave him a first-hand look at the power brokers and political maneuvering that occurs with the inside the “beltway” crowd. He used this knowledge to write Absolute Power, and his body of work has an authentic feel because of his background. Plus, he’s used his fame and money to do considerable charitable work for multiple sclerosis and formed a foundation to combat illiteracy.

Robert Ludlum: I got hooked on his break-neck paced spy thrillers such as The Scarlatti Inheritance, and The Bourne Identity and its sequels. He was one of the first writers to use former CIA agents to supply his books with authentic background information and procedures. And because of his experience as an actor and producer, he brought a theatrical flair to his writing.

Promotion is a big – and usually the most hated – part of being a writer. Can you share a little bit about how you promote?

Over the years I’ve run through the promotion gauntlet to include radio and television interviews, signings at book stores, talking at book clubs, blogs, and employing professionals (literary agents — there really are such things) to sing my praises to book buyers.

How long have you been writing?

I’ve been writing off-and-on for thirty years, and seriously for the past eight.

If you could talk for thirty minutes with any author (or person), living or dead, who would it be?

Harper Lee.

Describe your writing process once you sit down to write – or the preliminaries.

I back-read recent work to pull me back into the story to verify the tone and atmosphere are correct, and then I check my outline to make sure I’m moving the story forward rather than meandering about. With the first key stroke I’m back in the zone.

Where do you get your ideas?

I rely a great deal on my life experiences, and when I find something of interest I try to come up with a different twist or angle that will help weave an interesting tale.

 Were books an important part of your household when you were growing up?

I grew up in a house of readers. Even though my parents didn’t mandate that I read, it seemed the easy, natural thing for me to do. My grandmother, on the other hand, was a task master. She read everything in sight, expected the same of me, so I got in lock-step with her and eventually came to cherish our time together discussing books, etc.

Have you bought an e-reader? What is your overall impression of electronic publishing?

I have. Electronic publishing continues gaining traction and “respectability.” The cost-savings of “on demand” publishing and digitized e-books are substantial, which is important in this day of tight pocket books. The big expense of warehousing books, delivering them to the bricks-and-mortar houses, and then bearing the expense of unsold inventory that’s circled back, has been eliminated. Kids are growing up in an instant everything world that they access through I-phones and I-pads. They’re not inclined to spend time browsing bookstore aisles when they can access millions of titles online. Overall, electronic publishing allows a broader spectrum of writers to participate in the business, and provides readers with an excellent, inexpensive variety of material from which to choose.




Mr. Furman retired from the Federal Bureau of Investigation (FBI), as the Assistant Special Agent in Charge of the North Carolina field division. His investigative and managerial expertise was directed against domestic and international terrorism and organized crime.

Currently he is the CEO of the Rexus Corporation, a background screening company and private investigative company headquartered in Charlotte, NC.

Welcome to Dames of Dialogue, Jeffrey. Tell us one strange and provocative tidbit from your life that nobody has heard before.

They say that everyone in the world has a double, an exact lookalike. I was surprised to find a few years ago that mine is a celebrity. I’m mistaken internationally for Steve Wozniak, the computer guy Jeffrey McQuain Author Image (2)who cofounded Apple and then performed on “Dancing With the Stars.” When I try to explain politely that I’m not “the Woz,” as he’s nicknamed, people don’t believe me or look disappointed to learn the truth that I can’t dance or build computers. If my novel “The Shakespeare Conspiracy” succeeds, though, I’m hoping somebody somewhere asks the Woz, “Aren’t you the guy who writes those Shakespeare thrillers?”

Tell us about your latest book.

I’m very excited about my first novel. It’s a thriller based on the Bard’s racial background. The main character, Professor Christopher Klewe, teaches Shakespeare at William and Mary in Virginia. When his best friend is murdered by a secret society in Washington, he has only three days to outrun killers on two continents and reveal the biggest conspiracy in literary history. Much in the style of Dan Brown’s “Da Vinci Code,” my novel uses fast pacing and cliffhangers to move the story along and to allow readers a whole new way to see Shakespeare.

Can you share a little bit about what you’re working on now or what’s coming next?

My next novel in the Christopher Klewe series is a prequel to the first one and will be titled “The Shakespeare Trap.” It shows how Klewe became caught up in solving Shakespeare mysteries as he tracks a serial killer who leaves clues from the Bard’s tragedies. This second novel takes place in Williamsburg, Virginia, and it should be ready later this year.

When you’re writing, who’s in control, you or the characters?

I hate to say it, but I think novelists tend to be control freaks. We invent the world and the characters, often forcing them to do what we want. That being said, there are moments that the characters rebel against all my good intentions. In “The Shakespeare Conspiracy,” for example, one character was originally meant to die, but she was too important to let go, so she was granted a reprieve in my final rewrite.  Now here’s the strange part: when the characters do take control, the writing becomes an almost out-of-body experience for me, and that’s my favorite part of being a novelist. In other words, sometimes I’m driving the bus, and sometimes I’m just along for the ride.

Who are your favorite authors, the ones you read when you should be doing something else? Why do they appeal to you?

My favorite writer is Shakespeare, of course, but I find that my preferred modern writers are mostly women, particularly in the mystery genre. I think that women tend to be more detailoriented and make scenes come to live more vividly. Among mystery writers, I read everyone from Agatha Christie (the best at plotting) to Martha Grimes (the best at characterization). Try any Grimes novel about Detective Richard Jury, but I especially recommend her Shakespeare story, “The Dirty Duck.”

Mark Twain said, “Southerners speak music…” Do you have a favorite southern saying you can share with our readers?

I tend to travel around the South a lot, and I’m always hearing lines that I want to save. My latest nonfiction book is “Ebony Swan,” which makes me think of the favorite Southern euphemism, “I swan” (meaning “I swear”). I’ve also heard “I could use a skinny nap,” as well as the greeting when two women met on the street: “If I’d known you’d be here,” announced the one with a grin, “I’d have brought my gun.” I also love Southern signs. There’s a bar in Daytona Beach, for instance, across from the town cemetery. The sign says, “Order a drink and have a seat. You’re better off here than across the street.”

Where do you find inspiration for your writing?

I started thinking about a mystery/thriller series while reading and teaching Shakespeare. My inspirations come from everywhere, though, and I have to keep paper and pen nearby at all times. In fact, even my dreams can contribute. One night I was dreaming about being chased through a library, and I soon started writing “The Shakespeare Conspiracy.”  Of course, one drawback is that I can’t control when an idea strikes. I may be in conversation with you when my eyes glaze over with thoughts for a fictional murder, but I promise it’s not personal.

If you could talk for thirty minutes with any author (or person), living or dead, who would it be?

jmcquain.theshakespeareconspiracyI don’t know what I’d ask Shakespeare, so I suppose I’d talk with my favorite modern writer, the novelist Shirley Jackson. She’s the only writer I know who can frighten me with one story and have me laughing uproariously at another. I wrote a graduate thesis about her work and was allowed to use her personal papers at the Library of Congress. It was a thrill to see her unpublished letters and find a four-leaf  clover pressed in her childhood diary. She died in 1965, so I’ll never get to ask her about the secrets to her multifaceted writing, but she was my biggest inspiration to become a writer.

Were books an important part of your household when you were growing up?

Yes, books were always important in my house. My mother worked outside the house as a library aide, so she was always telling me about books she enjoyed. My father worked for NASA as a meteorologist, and I remember that he would sit down in the evenings to smoke a pipe and read a dictionary he kept beside the chair. I have one brother, Dan, who is older and the most prodigious reader I’ve ever met, so I had to learn to read early just to keep up with him.

Any teachers who influenced you…encouraged you or discouraged?

I had a drama teacher named Marguerite Coley when I was in high school. She was exceptionally good at encouraging students not to worry about limitations.

I even tried acting for a while as a result of her courses, but soon I turned to writing as my creative release. Years later, when I started teaching, I remembered many of her acting lessons to use in teaching Shakespeare classes across the country.

 Any good suggestions for overcoming writer’s block?

The best secret I can share is not to force it. Turn your attention to other things. Daydream a little. Brush up your Shakespeare. Often I have an inspiration about another way to approach a scene. It helps also to keep more than one project going at a time. That way, when I’m blocked on one, I can usually make progress on something else. Finally, I’d heard that Ernest Hemingway would stop working midsentence at the end of his day, so he’d know where to pick up the next day. (To be fair, though, I’ve tried this system and found I had no idea where I was going with that sentence.)

Any books on writing you have found most helpful? Or classes you’ve taken?

The mystery writer Martha Grimes once taught at a Maryland community college I attended, but I regret never taking her class. Instead, I’ve read the writing lectures by Shirley Jackson and I recommend them as well as the Strunk and White classic “Elements of English.” I also wrote a book on writing called “Power Language,” in which I advised writers to inject humor whenever it’s appropriate.

The truth, though, is that writing is an organic process that uses everything you’ve ever seen or done. You must take those experiences and craft them into a finished product. That’s why I’m excited about my first novel, “The Shakespeare Conspiracy,” and I’ve found I’m enjoying myself writing fiction more and more. I’m already plotting the third novel in the series and thinking of other projects, including a stage play of my nonfiction book “Ebony Swan: The Case for Shakespeare’s Race”.

Recently, while offering advice to a young friend, I blathered to a halt and recalled advice offered to me when I was growing up. I didn’t ask for most of it, but that never stopped adults from handing it out. It seemed almost as if spouting words of wisdom and/or warning was a requirement for being a parent or grandparent, aunt, uncle, or friend of the family.

Some advice made sense. (Take along an umbrella if it looks like rain. Don’t dive into a stream until you know where the rocks are. Don’t play with snakes with triangular heads. Don’t pet skunks.)

Some I didn’t see the logic for until I was older. (Always keep a fund of walking-away money. Learn to drive a stick shift. Be careful who you step on as you go up the ladder, because you might meet them when you come down.)

Author Carolyn J. Rose and pet

Author Carolyn J. Rose and pet

And some seemed suspicious and unreliable—then and now. (Never go out in old or torn underwear because you might be in a car accident. Clean your plate because people in India or China or Africa are starving. Always respect your elders.) I regularly pondered questions like: Would doctors and nurses pause in their efforts to save me in order to comment on the sad state of my undies? If I ate more, how would that help a hungry person in another country? Did I have to respect criminals and disgraced politicians simply because they were older?

When I started taking writing classes in the early 90s, I got an avalanche of fresh advice. My mentors explained the logic for bits of wisdom they dished out, but I soon discovered that every writer walks a different path. What works for one, might not work for another. So, while I took advice about the importance of characterization, plot, and trimming dead language, I ignored several other snippets.

Here are some suggestions I considered and discarded.

Set a daily word-count goal and stick to it. No excuses. I like goals and I love meeting them, but I knew there would be days when I couldn’t crank out enough words to hit the mark. I also knew I’d try to make up for that “failure” and put too much pressure on myself. I decided I would write at least five days a week, but write only what I could, not what I “had to.” Sometimes that’s 3,000 words. Sometimes it’s 300.

Don’t start writing until you have a complete outline. If I adhered to this piece of advice I’d have exactly NO novels in print. Having been chastised in elementary school for getting my Roman numerals and capital letters in all the wrong places, the thought of outlining makes my stomach clench and my creativity go AWOL. Give me a pack of file cards and I recover and start plotting.

Know everything about your characters before you begin. My characters have a way of growing and changing as they come into contact with others. Emotion, conflict, and a need to take action have an impact. Characters may be altered in ways I couldn’t foresee in the plotting stage. So, I establish basic physical characteristics, a bit of back story, and a few notes about their unique outlooks and voices. Then I go for it and see what they’ll say and do.

Over-the-top characters won’t sell. Hmmm. Tell that to Carl Hiaasen or Tim Dorsey. As a reader, I don’t much care for mundane characters with blah lives, so I no longer hold my characters back—except to keep them from tossing the F-bomb.

Write what you know. What I know is that I don’t know much. Writing only what I know would be a limiting experience. So I altered that advice to: “Write what you can imagine. But do research.”

How about you?

What advice have you taken or rejected, cherished or laughed at, passed on or passed over?

No Substitute for Myth by Carolyn J. Rose

No Substitute for Myth by Carolyn J. Rose

Carolyn J. Rose is the author of the popular Subbing isn’t for Sissies series (No Substitute for Murder, No Substitute for Money, No Substitute for Maturity, and No Substitute for Myth), as well as the Catskill Mountains mysteries (Hemlock Lake, Through a Yellow Wood, and The Devil’s Tombstone). Other works include An Uncertain Refuge, Sea of Regret, A Place of Forgetting, and projects written with her husband, Mike Nettleton (The Hard Karma Shuffle, The Crushed Velvet Miasma, Drum Warrior, Death at Devil’s Harbor, Deception at Devil’s Harbor, and the short story collection Sucker Punches).

She grew up in New York’s Catskill Mountains, graduated from the University of Arizona, logged two years in Arkansas with Volunteers in Service to America, and spent 25 years as a television news researcher, writer, producer, and assignment editor in Arkansas, New Mexico, Oregon, and Washington. She’s now a substitute teacher in Vancouver, Washington, and her interests are reading, swimming, walking, gardening, and NOT cooking.  http://www.deadlyduomysteries.com


The making of the covers for the Appalachian Journey series by CC Tillery [part 2].

via The making of the covers for the Appalachian Journey series by CC Tillery [part 2].

by Betty Dravis

1. terry cowboyLike most women I know, cowboys top my list of “favorite male hunks.”

The first movie cowboy I ever saw was Gene Autry, the singing cowboy of my youth. Then in my heyday, my all-time favorite and life-long “crush” Clint Eastwood rode into my life. And now there is Scott Eastwood, star of the blockbuster movie The Longest Ride… and Terry G. Reed.

“Who,” you might ask, “is Terry G. Reed?” Well, before I tell you a little about this Los Angeles actor–born in Ohio but spent most of his adult life in Tennessee–here is a photograph that captured my eye. If you can look past the man, don’t you just love his shirt? I wish they would bring this style back.

Terry G. Reed is a SAG-AFTRA actor who will play the role of Russell Rawlings in the coming TV series Big Sky. Rawlings is a rancher who is running for mayor. Big Sky has a huge cast with many of my Florida friends playing various roles. (I just learned yesterday that another of my California actor friends, Tia Barr, has also been added to the cast.) From all I have read and seen, Big Sky should be a big hit. Here is the link to the edited reel that helped Terry land the role: https://www.youtube.com/watch?v=fD69BCOnA7Y&sns=em

6. Terry G. Reed for Big Sky Banner

After seeing Terry’s demo and pictures, what do you think, ladies? He sounds and looks like a force to be reckoned with, in my opinion.

In real life, Terry is not a cowboy, but that’s how I see him and most likely will always think of him that way. However, since he plays business and bad-boy roles with equal ease, I doubt if he’ll get type-cast. But being type-cast as a cowboy is not a bad thing… On the contrary, take Clint Eastwood, for example. In addition to cowboys, Eastwood played roles from detectives to radio disc jockeys, but what image pops into your head when his name is mentioned? That’s right: a handsome, rugged, sexy cowboy!

Terry’s IMDb lists many former roles, from coroner, assassin to pro baseball scout. Just to name of few of his movie roles, Terry was a security chief in Rejourer (2011); a school principal in Truly Blessed (2009); and in In Da Cut he played the role of Kelly. He has an impressive list of TV credits, also. A few examples: The role of coroner in Howard Hughes Revealed; in The World’s Astonishing News TV Series, he played Joannie’s father in The Joannie Rochette Story; the part of Ray Kitchen in Eaten Ali3. terry closeup my faveve; Killer Bears episode; and a security and pit boss in Las Vegas. The list goes on…

In addition to his cowboy role in TV’s Big Sky—which I am personally anticipating—Terry has two films in pre-production: Dolphin’s Song and Cowgirl Romance.

Terry is a songwriter and guitarist. In case you’d like to hear some of his music, following are links to a few of his videos. He wrote the songs in some of his videos, plays guitar on others.

One of my favorites is Grant’s Lullaby that he wrote for his son:

Terry has a good sense of humor, so it isn’t surprising that he can now laugh when recalling that for a TV role he once had to cry around twenty-three times in a two-day period. He said after that, he never wanted to cry on set again. He learned the hard way–on a shoot–that yellow jackets are attracted to fake blood.

5 facebook_1438038295931Coincidentally with this cowboy theme, Terry was encouraged as an actor by popular cowboy star Clint Walker and Bill McKinney who fought both Eastwood and John Wayne in the movies.

Since Terry’s coming role in Big Sky set my mind on a cowboy “tangent,” I asked my agent at Reel World Talent LLC and several popular authors to say a few words about cowboys who stood out in their memories.

Author Mary Lou Cheatham Recalls
Saturday Afternoon Matinee Cowboys

Roy-Rogers_1424127c“Back in the fifties in Taylorsville, Mississippi, my friends and I went to the Melroy Theater on Saturday afternoons to see the Westerns. I loved Roy Rogers and Dale Evans. I thought about them all week. Gene Autry was a favorite too. Back then I thought all cowboys were singers.”

Author Loretta Wheeler Chose Audie Murphy

audie murphy“I was asked to write a little something about my favorite cowboy. Being from Texas, of course, that didn’t seem a very difficult request. But, my take on it will probably make a few scratch their heads and say ‘Who?’ And then, ‘Why him?’

“The cowboy that sticks in my mind from way back is Audie Murphy. Here’s a short bio of him, followed by my reasons for choosing him:

“‘Audie Murphy was one of the most decorated American combat soldiers of World War II, receiving every military combat award for valor available from the U.S. Army, as well as French and Belgian awards for heroism. At the age of nineteen, Murphy received the Medal of Honor after single-handedly holding off an entire company of German soldiers for an hour at the Colmar Pocket in France in January 1945, then leading a successful counterattack while wounded and out of ammunition.’

“After the war, Murphy became a popular movie star, often portraying cowboys. So, dig through Netflix and find one of his old cowboy movies, fix yourself a bowl of popcorn, and sit back and watch a man portraying all the things we hold dear in cowboys, and know that he embodied those qualities in his “real” life too.”

Author Joanna Lee Doster Chose Clint Walker

clint walker“I just discovered and have begun watching Cheyenne with Clint Walker. I love the show. He is always honorable and always seeks justice. He takes off his shirt in almost every episode. He is the strong and silent type but he always saves the day. Six feet, six inches makes him the record champion. In 1969, New York Times film critic Howard Thompson, in reviewing Walker’s performance in the movie More Dead Than Alive, described the actor as ‘a big, fine-looking chap and about as live-looking as any man could be. And there is something winning about his taciturn earnestness as an actor, although real emotion seldom breaks through.’ In 1958, Thompson described the actor, then starring in Fort Dobbs, as ‘the biggest, finest-looking Western hero ever to sag a horse, with a pair of shoulders rivaling King Kong’s.’”

Michael McGregor of Reel World Talent LLC
Likes Singing Cowboys

“My favorite Cowboy…. hmmm…. I have two actually; both cowboys who sing. The first is Kenny Lee of the great state of Tennessee, and the second is Don Allen of the Gold Coast of Australia. Kenny Lee just finished producing Don Allen’s latest CD and I had the pleasure of listening to it on Kenny’s computer while he and Don cut-up and joked around. It was a great evening of friendship and witnessing amazing talent by both Kenny and Don!”

Terry G

Now, that I have, hopefully, intrigued you and gained a few more fans for Terry’s long list, why not meander on over to his Facebook page and invite him to be your friend. Also check out some of his old films to see him in action and follow him in Big Sky when it’s released. His shoulders might not be as huge as Clint Walker’s, but he’s long and lean like Clint Eastwood (or even Gary Cooper)… and he cuts a “mighty fine figure” in the role of rancher Russell Rawlings.

Facebook link:

Internet Movie Data Base (IMDb) link:

Another film, scene from Crime Investigation role:

The Dames of Dialogue and our readers wish Terry huge success in his acting career. We love your cowboy persona. But whatever the role, as you ride off into the sunset–as Roy Rogers and Dale Evans always sang–“Happy trails to you…”

7 Terry film reels by fan Wendy J. Willett

Graphic made for Terry by fan Wendy J. Willett



I admit it. I’m a fan of TV shows and Internet articles about the bizarre, the unexplained, and the weird. I’ll happily sit for hours, munching popcorn and watching programs about UFOs, creatures lurking in lakes and rivers, beasts prowling the jungle, and, of course, Bigfoot.

Author Carolyn J. Rose and pet

Author Carolyn J. Rose and pet

Mostly I watch those programs alone. My husband—no, make that my long-suffering husband—checks out after about 25 minutes, rolling his eyes as he departs for his man cave. What I find intriguing or amusing, he finds ridiculous.

So, when I mentioned that Bigfoot would feature in the 4th Subbing isn’t for Sissies mystery, I wasn’t surprised by the expression on his face. It implied that I had yet another screw loose.

Undaunted, I plunged ahead with No Substitute for Myth. As the title suggests, the story deals with myths—not stories of gods, goddesses, flying horses, and heroic deeds from ancient times—but mundane and fairly modern stories and sayings and traditions. Often we accept them without question.

For example, when I was young I was told that if I kept popping my knuckles, I’d get painful arthritis. I stopped popping. But guess what? Recently I read about a study that indicated I could pop all I wanted. Granted, the study looked at only a small group, but it led me to conclude that the knuckle-popping warning from my grandmother was another way of telling me to “knock off that annoying habit.”

But, like I said, No Substitute for Myth also involves Bigfoot, less in a reviewing-the-evidence way than in presenting him as a symbol for the unexplained and unknown, for all we wonder about. I’m no Bigfoot expert. And I don’t intend to try to become one.

I admire people with the courage to venture deep into the forest in search of something large and perhaps dangerous. But I’m never going into the backcountry in search of proof. I believe in Bigfoot just enough not to hunt for him. I’d rather take on a crush of shoppers at clearance-sale day or tell a friend her new jeans make her look fat.

And, quite honestly, if I came across a set of giant footprints, I’d walk briskly in the opposite direction of where they were headed. And if I heard what I thought might be Bigfoot, or saw him, I’d run. If I could. I’m more likely to be paralyzed with fright, gibbering with fear, wetting my pants, or all of the above.

If Bigfoot isn’t in the forests of the Pacific Northwest where I live, other not-so-friendly creatures are—bears and wolves and cougars. To trim the odds of running across them, I’ll stay on the sofa with my popcorn and the TV remote.

What about you? Are there myths you hold near and dear? Myths you’d like to see busted? And do you believe Bigfoot exists?

Carolyn J. Rose is the author of the popular Subbing isn’t for Sissies series (No Substitute for Murder, No Substitute for Money, No Substitute for Maturity, and No Substitute for Myth), as well as the Catskill Mountains mysteries (Hemlock Lake, Through a Yellow Wood, and The Devil’s Tombstone), and other works. She grew up in New York’s Catskill Mountains, graduated from the University of Arizona, logged two years in Arkansas with Volunteers in Service to America, and spent 25 years as a television news researcher, writer, producer, and assignment editor in Arkansas, New Mexico, Oregon, and Washington. She’s now a substitute teacher in Vancouver, Washington, and her interests are reading, swimming, walking, gardening, and NOT cooking.






No Substitute for Myth by Carolyn J. Rose

No Substitute for Myth by Carolyn J. Rose

presented by Betty Dravis

Betty headshot turquoise braceletAs you all know, I’m the celebrity interviewer for Dames of Dialogue. I apologize for missing quite a few blogs due to multi-tasking with my own books and several short films.

I finally made time to come around to visit the Dames in order to introduce a young artist who caught my eye through friends. Kerry James Junior is very popular in his home state of Indiana, landing more TV and radio gigs on a weekly basis. I came across the following short blog about Kerry in the online paper New Scene Music.

I think the kid is good, but check him out for yourself. https://www.facebook.com/profile.php?id=100002430081915&fref=ts

by Mike Tree

Kerry james jr 1Kerry James Jr… Wasup, Errbodyt It’s ya boy Mike Tree reporting a New Artist Alert as I checked in with a regional sensation by the name of Kerry James Junior, better known as K.J. He creates a very special connection between his supporters, media and fans that he calls KJayers at this stage in his career

K.J. contributes the majority of his celebrity status to his support system; his soulful, self-taught talent is just a plus. K.J. sets himself apart from the pack mostly by his homely attire. In almost every video you can catch him in flip-flops and a hunter’s hat as just an added player of the “connect-ability” he has with his fans. Quite a sense of solidarity, in my opinion.

Kerry James Jr. 2

When i asked K.J. if there was anything he’d like to add to the story, he stated, in true K.J. fashion, that this article is dedicated to his “home team,” so to speak: first, his mother, Wendy M Sanders-Johnson, his #1 inspiring woman; second, his sisters, Kelly Jo Rogers and Crystal Nicole Conway; third, his brother, Robert Sanders; and last but not least, his God-Uncles, Mike Brown, Lake County recorder & Northwest Indiana freelance writer/journalist, and Anthony Alonzo.

They say a picture is worth a hundred words, so take note and look out for K.J. in some performances  near you!


Author Carolyn J. Rose and pet

Author Carolyn J. Rose and pet

When I wrote my first TV newsroom mystery (now out of print and going to stay that way), I called it Face Time. The title referred to the amount of time viewers would see a news anchor’s face during a newscast. Over the years, I’d worked with several anchors reeled through tapes of news programs and literally counted the seconds their faces filled the screen. If their co-anchors got more time, they’d complain to the producer and news director.

The title spoke to me. But not to others. I argued with everyone (including writing coach Elizabeth Lyon) who said they didn’t get it, didn’t think much of it after I explained it, and felt it wouldn’t sell books. Eventually they wore me down and I went with Consulted to Death because the death of a media consultant sets the plot in motion and the title signals that the story is a murder mystery.

Although I felt like I was the only writer ever to go to war over a title, I wasn’t. Here’s what Lyon says in her just-released booklet, Crafting Titles:

In my years as a book editor, I’ve seldom seen an early title make the final cut. Critique groups, family, friends, and editors may passionately insist that you change your title. . . Because every novel can have many good titles, set your sights on finding one that captures the essence of your novel, has the right “sound,” and reflects its genre.

Crafting Titles by E Lyon

Crafting Titles by E Lyon

In the first section of Crafting Titles (available from Amazon, Crafting Titles by Elizabeth Lyon, Nook, and Kobo), Lyon reviews the many benefits of using a character’s name, like Lolita, or The Great Gatsby. After that, she examines the possibility of using the name of a place:

A setting may become a major character. If place sends seismic waves throughout your story, consider . . . compelling reasons for selecting it as a title.

One of those reasons has to do with the theme of the book, so I pat myself on the back that I used Hemlock Lake as the title for the first of my Catskill Mountains Mysteries. For the protagonist, the remote lake and the small town beside it are poisoned by past events and memories, and those poisonous feelings shape the story and his future.

Elizabeth Lyon, author

Elizabeth Lyon, author

In Lyon’s words: Titles that telegraph themes may unite many levels of the novel: plot, character development, an image or concrete thing, a place and era, an emotional tone, an atmosphere.

Elsewhere in her booklet, Lyon discusses the use of important things or meaningful objects as titles, the use of quotations and literary references, and titles that fit specific genres. She also considers the ideal length of a title, and branding for sequels and series.

Reader recognition of your book is particularly important if you decide to write a sequel, a prequel, or a series. Publishers—and fans—often hope, or even expect, sequels or series. Novels destined to be sequels or part of a series typically have similar titles. A handy way to accomplish this is by repeating a pattern of words in every book title.

I probably should have done that with my Catskill Mountains Mysteries, but I got carried away with other ideas and—okay, I admit it—didn’t ask for advice. Without conscious thought, however, I set up a pattern for the Subbing isn’t for Sissies Series. The fourth in the series, No Substitute for Myth, is just out.

If you’ve struggled with a title in the past or are struggling now, share your pain with a comment. Elizabeth and I will be happy to respond.

A writing teacher and book editor since 1988, Elizabeth Lyon is the author of half a dozen books on how to write, revise, and market novels and nonfiction. In 2013, she launched a booklet series to explore one topic at a time in greater depth. Booklet #1 is Writing Subtext. Booklet #2 is Crafting Titles.

A reviewer for The Writer magazine selected Manuscript Makeover as one of “8 Great Writing Books in 2008,” and described it as “perhaps the most comprehensive book on revising fiction.” Lyon is also the author of The Sell Your Novel Tool Kit, Nonfiction Book Proposals Anybody Can Write, and others.

No Substitute for Myth by Carolyn J. Rose

No Substitute for Myth by Carolyn J. Rose

Carolyn J. Rose is the author of the popular Subbing isn’t for Sissies series (No Substitute for Murder, No Substitute for Money, No Substitute for Maturity, and No Substitute for Myth), as well as the Catskill Mountains mysteries (Hemlock Lake, Through a Yellow Wood, and The Devil’s Tombstone). Other works include An Uncertain Refuge, Sea of Regret, A Place of Forgetting, and projects written with her husband, Mike Nettleton (The Hard Karma Shuffle, The Crushed Velvet Miasma, Drum Warrior, Death at Devil’s Harbor, Deception at Devil’s Harbor, and the short story collection Sucker Punches). She lives in Vancouver, Washington, and her interests are reading, swimming, walking, gardening, and NOT cooking.  Website www.deadlyduomysteries.com

ME May, author

ME May, author

To my fellow writers: please don’t be the lone wolf in a tough world. I know that many of us are introverted artists, myself included. We would love nothing more than to have that cabin in the woods or solitary beach house where we could do nothing but write. Then, with no trouble at all, we simply send our wonderful prose to a publisher who is anxiously awaiting our newest submission. Unfortunately, it doesn’t work the way it does in the movies.


One of the greatest discoveries I’ve made as an author is that I do not have to bear the rough road to publishing alone. I don’t have to take the hit of a rejection letter without the support of those who understand what I am going through. There are people who not only encourage me and share their experiences, but who provide the opportunity for me to learn how to be a better writer.


Who are these super heroes of prose you ask? They are your genres writers’ associations. That’s correct. There are organizations that support writers in your particular genre.


In my case, I am a mystery author. When I finally decided to write that first novel, I had no idea where to start. I didn’t know anyone in the publishing business. I didn’t know what was required in order to contact publishers. Did I need an agent? How would I get one of those?


One day, I decided to do an internet search and came across an organization called Sisters in Crime. This organization was the brainchild of Sara Paretsky whom you may know as the author of a popular series which features Private Investigator, V. I. Warshawski. Sara felt women mystery writers weren’t taken seriously, so she thought there should be an organization to support them. Of course, unlike the names implies, members are male as well as female.


When I joined this group in 2008, my first meeting for the local chapter in the Chicago area was their annual writers’ workshop. I learned so much in that one day that it inspired me to keep moving forward and to never give up. At regular chapter meetings, we have special guests and experts in the fields of publicity, law enforcement, private investigation, crime scene clean up, and more.


At this time, I have the honor of being Chicagoland’s Vice President and Program Chair. I am also a member of the Speed City Chapter in Indianapolis, which is my hometown and the site where my Circle City Mystery Series takes place. With the generosity of a grant for the National organization, the combined efforts of these two chapters, and assistance from the Iowa chapter, they were able to participate at the 2015 Printers Row Lit Fest in Chicago. There they spread the word about the Sisters in Crime organization and introduce some of their Midwest authors to readers.


As an active member of the Mystery Writers of America, I have found another excellent organization of which to be a part. They too support members in their efforts to write the best novel possible through workshops, meetings with experts, and the occasional fun  and fabulous networking party. The Midwest Chapter was also a great presence at Printers Row Lit Fest this year providing speakers for Lit Fest panels as well as featuring authors in the Mystery Writers of America tent. They conducted fun contests with excellent Edgar Allan Poe prizes and held a flash fiction contest, which was won by a 16-year-old “future Edgar nominee.” The national organization also has writers’ workshops called MWA University, which takes place in various parts of the country. This is a great opportunity for writers—published or not—to hone their skills.


The camaraderie I have found in these two groups is inspiring and irreplaceable. That is the point of my blog today. It is so much easier to bear the disappointments when people who understand what you are going through surround you. It is also more joyous when you can share your successes with them.


I strongly suggest you find your “pack.” Don’t be the lone wolf, because often they “starve.” Being around writers from your genre is so stimulating that it is well worth being a part of it.


If you are a mystery writer, you can find out more about Sisters in Crime at http://www.sistersincrime.org and Mystery Writers of America at https://mysterywriters.org . If you write in another genre, you can find a list of organizations on a website called Writers Relief at http://writersrelief.com/writers-associations-organizations .


You contact me with any questions regarding today’s blog, or find out more about my novels and me through my website at www.memay-mysteries.com. Thank you and Happy Writing!


Purged by ME May

Purged by ME May

Michele (M.E.) May attended Indiana University in Kokomo, Indiana, studying Social and Behavioral Sciences. Her interest in the psychology of humans sparked the curiosity to ask why they commit such heinous acts upon one another. Other interests in such areas as criminology and forensics have moved her to put her vast imagination to work writing crime fiction that is as accurate as possible. In doing so, she depicts societal struggles that pit those who understand humanity with those who are lost in a strange and dangerous world of their own making. 

In creating the Circle City Mystery Series, she brings to life fictional characters who work diligently to bring justice to victims of crime in the city of Indianapolis. Michele also hopes her readers will witness through her eyes, the wonderful city she calls her hometown. Learn more about Michele at www.memay-mysteries.com

Facebook URL:  https://www.facebook.com/pages/M-E-May/522693281079718?ref=hl

Twitter:  @memayauthor

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 6,896 other followers

Like us on Facebook

Beloved Woman by CC Tillery

Appalachian Journey Book 4

Beloved Woman by CC Tillery

The Search for Bobby McGee by Betty Dravis

The Search for Bobby McGee by Betty Dravis

The Search for Bobby McGee by Betty Dravis

Obsolete by CT French

Obsolete by CT French (Christy Tillery French)

Obsolete by CT French

One Shot too Many by Maggie Bishop

One Shot too Many by Maggie Bishop, mystery

One Shot too Manyby Maggie Bishop, mystery

Interior Designs, by Laurel-Rain Snow

Front Cover-resized-small

Get every new post delivered to your Inbox.

Join 6,896 other followers

%d bloggers like this: